Curated

Curated by WOAH for Another Tomorrow’s SoHo Flagship, The Architecture of Grace examined the balance between natural fluidity and structural rigor. The exhibition featured a grounding, gestural canvases by Francine Tint, intimate color band paintings by Light and Space artist Norman Zammitt, and striking black-and-white photographs by Keisha Scarville that honor maternal lineage through figures tenderly enveloped in her mother’s garments. Together, the works explored how individual and collective nurture cultivate regenerative futures. The exhibition was accompanied by an artist talk with Francine Tint and curator Jesse Bandler Firestone, as well as a dialogue between Keisha Scarville and Brooklyn Museum Curator Pauline Vermare on creative process, memory, and enduring connection.

To mark the grand opening of Moss, a new members club dedicated to intelligent leisure and physical culture, WOAH curated an inaugural art leasing program across three levels. Featuring major works by Rashid Johnson, José Parlá, Hank Willis Thomas, Andy Warhol, Roe Ethridge, Richard Diebenkorn, and Katherine Bernhardt, the presentation was placed in dialogue with Moss’s existing collection. The curatorial selection was thoughtfully integrated into the club’s interior architecture and food and beverage spaces, creating a rich sensory dialogue that connects the social sanctuary within to the vibrant New York energy at its doorstep.

WOAH curated Future Forms at Another Tomorrow’s SoHo Flagship, staging a dialogue between artists Chris Soal and Naudline Pierre. Exploring texture, movement, and material transformation, Soal repurposed everyday objects into organic sculptures reflecting ecological urgency, while Pierre presented swirling, jewel-toned paintings of mythological winged figures. The exhibition program featured a screening of A Place Other Than Here: Naudline Pierre, followed by an intimate conversation with Pierre and Sascha Feldman, Director at Norr Cohan Gallery, reflecting on art history and the artist’s personal mythology.

Soaring 1,000 feet above Midtown Manhattan, 520 Fifth Avenue is a mixed-use boutique skyscraper featuring 100 residences with sweeping views from Bryant Park to Central Park. For this landmark development, WOAH collaborated closely with developer Rabina and interior design firm Charles & Co. to lead advisory acquisitions for the residential lobby art collection. The curatorial selection anchors the architectural space with tactile warmth and conceptual depth, featuring Alessandro Teoldi’s signature woven airline blanket artwork depicting two figures gently embracing, a series of geometric works on paper by Qiana Mastrich, and a figurative ceramic sculpture by Derek Weisberg.

In celebration of Women’s History Month, WOAH curated a group exhibition at Another Tomorrow’s SoHo flagship spotlighting lens-based practices by women artists Carrie Mae Weems, Moyra Davey, Sheree Hovsepian, and Shaniqwa Jarvis. Expanding beyond conventional photography, the presentation explored memory, narrative, and visual form, reflecting a shared dedication to social sustainability and elevating women as vital cultural leaders. Programming included a panel on circular design with Anna Dyson, Elisabeth Sherman, and Julia Gamolina, alongside an artist talk with Sheree Hovsepian and Creative Director Elizabeth Giardina, moderated by Erin Allweiss.

With culture and art in the property’s ethos from day one, WOAH Curated inaugurated the hotel’s art program. Recognizing that art and community stand as foundational pillars for the urban resort, we manage an evolving leasing collection balancing permanent hero pieces with rotating contemporary works. Designed to continually refresh the space, the program highlights pieces by Herbie Fletcher, Tom Sachs, Derrick Adams, Shantell Martin, and Julia Chiang, among many others. Through ongoing curatorial rotation, we ensure the collection continually enriches the property with meaningful narratives and cultural dialogue.